长安三怪探第二部小说

航业巨子罗伯楷（石坚）所创罗氏航业公司，为一家族式企业，所有亲属，均为董事。 伯楷之弟伯鸿（张活游）为公司总经理，奉命调查公司属下船只藏毒案，在接近水落石出之际，突然病重，急召侄女蕙珊（曾佩琪）回港，拟留重要遗言，岂料蕙珊未返，伯鸿已经去世。 奇女子柯素心（欧阳佩珊）突然出现找伯楷，自认是伯鸿私生女，要取回鸿之遗产。由于无法提出证据，证明自己身份，故为楷所拒。 鸿死后，伯楷大女婿林继兴（夏雨）与外甥女倪天欣（姚炜）均欲继任总经理遗缺，明争暗斗，但均不为楷所信任。 楷有两女，长女蕙娴（白茵），不理世事；次女蕙珊，虽被鸿、楷视为理想接班人，却无意在公司中工作。楷无奈，在外物色一家小船务公司经理韦文翰（谢贤），以优厚条件聘请回来，成为楷得力助手。 文翰到职，带同秘书柯素心上班。楷甚感意外，但以为素心之职位，不致起重大作用，不予计较。文翰机智过人，对继兴与天...。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。