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In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。刑满释放的女人李素兰只身回到了村里，可是家园已剩残垣断壁，亲人又不知所踪。唯一的女儿又因为自己的特殊身份不能相认。无家可归的李素兰被好心的哈萨克牧民别克一家收留，开始了与骆驼为伴的新生活。生活的挑战无处不在，不仅有野性十足难以驯服的骆驼，还有一群调皮捣蛋的孩子不断的给李素兰的新生活找麻烦。李素兰不仅成功的驯服了骆驼，挤到了驼奶，并且成功的做起了驼奶贸易，找到了生活的支点。而且在与调皮捣蛋的孩子的斗智斗勇中取得了胜利，也成了孩子们的良师益友。母子情深的骆驼和天真可爱的孩子唤醒了在李素兰内心深处沉睡了20年的母性。关于过去的悲惨经历素兰勇敢的面对。原来李素兰在20年前无法忍受丈夫惨无人道的家庭暴力失手误杀了丈夫。为了重新回归正常人的生活，李素兰选择勇于直面20年未见女儿。20年前的女儿是尚在襁褓之中未满月的婴儿，女儿能否接受这个从天而降的母亲吗……。这是一部古代功夫和现代文化相互冲击背景下的喜剧片 ，武当山下一群功夫少年在一场夺宝事件中对功夫有了新的价值判断。。